A heterotextual wonderer and a poststructuralist misreader.
“I am a simultainious traveller, tourist, migrent, exile,
refugee, nomad, hostage,critic, story teller and volenteer of my own physical, cognitive emotional
and mental life and exile of syntax. A volenteer for the creatve industry, an
exile of classism, homeless from safety, a nomad to familiarity, a migrent from
localised minds, from
location to location. Cruising the
shallows of one perspective to another.
Exploring various internal and external viewpoints. Shifting through different historical
experiences. visualising an imagined
landscape.
A tourist to my
own life. ‘Travel’ is my home. Moving
freely in one place.
Being all over
the place is my model. Belonging,
becoming and unbecoming concurrently. I
can go anywhere in one place now, via the world wide web. I don’t have to be anywhere to be somewhere
significant. Destination. Limitations are just fences that can be
jumped over. Nomad is just another word
for cosmopolitan or displaced. To be displaced i must have been in a place
somewhere at some time. Displaced from
localised minds, I have come from home, had adventures and arrived at a new
home, I constantly fluctuate between being in and out of place”.
I am a non specialised labourer who adapts to multiple
situations, a creative producer, a producer of situations. I am an
inconsequential surfer of art theory, semionaut, I’m a DJ who mixes images, texts and art movements. A precarious voyager who collects samples to
generate fragments of knowledge, a traveller of signs formats and images, to
visual environments. A heterotextual
wonderer, a poststructuralist misreader,
Accidental, unfinished, unplanned chance occurrence, mock
experiment, undetermined outcome, evading authorial agency, generate chance
events, concepts of uncertainty, consciously unknown, meaningless accidents,
fortuitous, happy coincidence, Trouville – lucky find in detritus. Unlooked
for, time based, interactive, transient events.
Essay as a micro installation of a displaced random
collection of words and ideas with no logic or structure and no flow, a word
space, for the viewer of the words or reader to put the fragments together, to
dig through this shallow pool of text.
Accidental, unfinished, unplanned chance occurrence, mock
experiment, undetermined outcome, evading authorial agency, generate chance
events, concepts of uncertainty, consciously unknown, meaningless accidents,
fortuitous, happy coincidence, Trouville – lucky find in detritus. Unlooked
for, time based, interactive, transient events, semi-functional, function over
contemplation, communicative sites,
Post studio practice, temporal collaborative interventionist
art, live encounters, one to one interactivity, many people participatory,
community based art genre, collective projects, producer of situations,
co-producers, process based-experiences, new genre public art, dialogic
practice, soft social engineering, social situations, social disruption through
art intervention, collective authorship, multidisciplinary dialogue, relational
aesthetics, laboratory, construction site, relational exercise, project spaces,
institutionalised studio activities, experience economy as a marketing
strategy. Laboratory as leisure and entertainment. Work console, bar, reading
lounge, cultural forms, face to face interaction, slow impact, small impact,
production of relationships, dematerialised projects, relational artworks,
production of relationships. Interconnectivity
and interactivity, performing coastal narratives, interdisciplinary endevours,
social alternatives, social emergency, sites for critical debate.
Reforming a more beautiful place, a blueprint, wishful
landscape, ontology of the not-yet, imaginary, future orientated, awareness of
imperfections, liberation of social life, archaeologies of the future,
therapeutic utopia, confrontation, equality of creative beings, rescue from
dehumanisation, sensuous non verbal experience, self location, connecting people,
networking. Locally sited, broad and diverse audience
