blog purpose

blog purpose

Tuesday 2 April 2013

A critical Methodology for looking at film



 




From: Film critical introduction Maria Pramaggiove and Tom wallis publishes 2011. Lawrence King.



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Orchestrated detail
Motifs,
Parallels
Structure
Turning point
Repetition
Non chronological structure


Meaning:
Historical
Cultural attributes
References
Intertextual references
Meaningful references with objects
Social context
International context
Transnational context


The goal of the film analysis:
Articulating meaning
Developed interpretive claims


Significant detail:
Scene analysis
Film analysis
The research
What would the popular review be.
Define the Narrative elements
Define the narrative structure
What are the variations on the narrative conventions, beyond structure
Perspectives and meanings
Character subjectivity


Techniques in practice
Where are the shifts in the narratives
Existing meanings outside the story
Any conventional patterns
Continuity and space
Breaking the rules

Describe the setting – spatial attributes
Function of the setting

















Human casting
Acting style
Placement, distancing
The audience
Make up
Lighting

Compositions:
Symmetry
Costumes and props
Foreground
Background
Colour
Poetic realism
Slow motion or fast motion


Camera angle:
Height
Distance
Movement
Vertical
3D
depth of field
focal length
zoom
filters
lenses
exposure
special effects


editing:
editing as metaphor
montage aesthetics
classical editing


sound:
voice or authority
tone
relationship between sound and image contrast
emphasizing
music


Dialogue:
What is the text
Subtext
Volume
Pitch
Speech characteristics
Acoustic qualities
Voice over





Genre’s:
American
Western
Film Noir
Action
Detective
Science fiction
Musical
ARTIFACT
High concept film
Independent film culture


Film Authorship:
Biographical influence



Other information